Pieter de Hooch
1629-1684
Dutch
Pieter de Hooch Galleries
De Hooch was born in Rotterdam to Hendrick Hendricksz de Hooch, a bricklayer, and Annetge Pieters, a midwife. He was the eldest of five children and outlived all of his siblings. He studied art in Haarlem under the landscape painter, Nicolaes Berchem. Beginning in 1650, he worked as a painter and servant for a linen-merchant and art collector named Justus de la Grange. His service for the merchant required him to accompany him on his travels to The Hague, Leiden, and Delft, to which he eventually moved. It is likely that de Hooch handed over most of his works to la Grange during this period in exchange for board and other benefits, as this was a common commercial arrangement for painters at the time, and a later inventory recorded that la Grange possessed eleven of his paintings.
De Hooch was married in Delft in 1654 to Jannetje van der Burch, by whom he fathered seven children. While in Delft, de Hooch is also believed to have learned from the painters Carel Fabritius and Nicolaes Maes, who were both early members of the Delft School. He became a member of the painters' guild of Saint Luke in 1655, and had moved to Amsterdam by 1661.
The early work of de Hooch, like most young painters of his time, was mostly composed of scenes of soldiers in stables and taverns, though he used these to develop great skill in light, color, and perspective rather than to explore an interest in the subject matter. After beginning his family in the mid-1650s, he switched his focus to domestic scenes and family portraits. His work showed astute observation of the mundane details of everyday life while also functioning as well-ordered morality tales. These paintings often exhibited a sophisticated and delicate treatment of light similar to those of Vermeer, who lived in Delft at the same time as de Hooch. 19th century art historians had assumed that Vermeer had been influenced by de Hooch's work, but the opposite is now believed.
Related Paintings of Pieter de Hooch :. | Paying the Hostess | musikalisk soare | the courtyard of a house in delft | The linen cupboard | A Woman Peeling Apples | Related Artists: Etienne Dinet1861-1929 Johan Hendrik WeissenbruchDutch Painter, 1824-1903
Painter, cousin of Jan Weissenbruch. He referred to himself and signed his work as Jan Hendrik Weissenbruch. From 1840 he attended drawing lessons with the Norwegian painter Johannes Lew, and from 1846 he was taught by Bartholomeus J. van Hove at the Koninklijke Academie van Beeldende Kunsten in The Hague. His early paintings clearly show the influence of van Hove and Andreas Schelfhout, although it is uncertain whether he was actually taught by the latter. His father, an avid collector, owned works by both artists. Inigo Jones English Baroque Era Architect, 1573-1652,Masque designer, architect, and courtier, Jones's architectural legacy only fructified in the early 18th cent. through the neo-Palladian movement. Yet Jones personally remains frustratingly elusive, for all his arrogance and engrossing power as surveyor of the king's works (1615-44). Apart from entrancing scenic and costume designs, only seven of Jones's 45 architectural works survive: the most notable are the Whitehall Banqueting House, Queen's chapel at St James's, Queen's House at Greenwich, and, by no means least because of its Carolean town-planning context, St Paul's church, Covent Garden.
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